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Senior Editor

Pub Talk

By James Sturdivant

About James

 

Media Vent

Bob Sacks
Thought’s on the IMAG-MPA Conference And a Love Letter From Samir Husni
May 22, 2015

Professor Samir Husni and I both love the magazine industry, yet we come to that affection from completely different directions....



Industry Insiders

The Insiders
The Unintended Consequences of Data Targeting
May 8, 2015

Every brand is attempting to deliver a unique experience for every single person it engages with. This is not a...



Publishers' Dojo

Linda Ruth
How To "Onboard" Your Audience
May 12, 2015

Publisher should act as "mentor" or "guide" to new audience members that arrive at their sites. Whether or not you...



B2B Beat

Andy Kowl
The Growth of Marijuana Business Media
May 7, 2015

The first trade magazine I launched, Paraphernalia & Accessories Digest, served the headshop industry. I had cofounded High Times four years earlier,...



The Digital Market

Thea Selby
Top 5 Trends Affecting App Publishing
Mar 9, 2015

This is a great time of the year to look at the top trends of 2014 and gain insights for...



Death of Aaron Swartz Underscores Need for Reforms He Championed

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Much is being said about the suicide of Internet pioneer Aaron Swartz, to which I can add little except that it was a tragic end to a brilliant, troubled life. Whatever combination of factors led Swartz to take his own life, it's clear his death will serve as a grim indictment of the very legal structure he sought to upend—a system designed around older notions of copyright control and enforcement.

"There's a battle going on right now, a battle to define everything that happens on the Internet in terms of traditional things that the law understands," Swartz said last year, after helping to stop SOPA. He saw these "traditional things"—outmoded applications of concepts like copyright, DRM, licensing and fair use—as nothing less than a threat to freedom. Though sometimes taking his "hacktivist" work to controversial extremes, Swartz's actions helped define what's at stake in the effort to preserve and enhance the critical role of information in our culture even as traditional media companies struggle with radically new business models.

While the rights of content creators and copyright holders are obviously important, it is unhelpful to compare ripping a CD to ripping off a bank, or file downloads to home burglary. Pirating movies is frequently compared (by the movie industry) to stealing a car. This ignores the fact that creative works are never just commodities, and that demand for artistic and scientific ideas can be harnessed for profit in ways that acknowledge and respect the borderless nature of the Internet—working to leverage social sharing for marketing and e-commerce purposes, for instance.

Media entities really have no choice, as each attempt to strong-arm users only leads to embarrassment, or worse. Consider the music industry's MP3 wars, or the bruising battles over DRM. Already, in the wake of Swartz's death, influential bloggers are calling for scholars to associate themselves with open-access journals only. This is certainly not what JSTOR (the database hacked by Swartz) wants to see happen.

Swartz was never as extreme as some tried to paint him. He never said regulation shouldn't exist; he simply understood that new ways of creating, storing and distributing information require a different sort of regulatory scheme. As one of the developers of Creative Commons, he sought new, positive ways to allow for flexibility in the digital sphere.

One thing seems clear: again and again, old laws and existing interpretations prove themselves ham-fisted in the face of the current realities of information access. In the end, Swartz's life and death proved this to be only too correct.
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